Page 79     

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NOTE

In this booklet; the Sorrowful  Mysteries of the Most Holy Rosary, as foretold by the
Prophets and related by the Evangelists, have been harmonized and compiled into a single continuo
us narrative in the familiar words of the Douay -Rheims Bible.

We have done our best to follow the most likely sequence of events of Our Lord's Passion and Death,
to the extent that it can be surmised from the context of Sacred Scripture.

Any phrases not found in the biblical texts appear within brackets
(i.e. []). Potentially misunderstood expressions are explained in textual notes by Bishop Richard
Challoner from his 1764 A.D .edition of the Douay Rheims Bible.

Father Nicholas Gruner, S.T.L., S.T.D. (Cand.)

IMPRIMATUR:
t Anthony Borwah
Bishop of Gbarnga, Liberia
Date: February 4, 2015

The works of art used to illustrate this booklet were painted by the following artists:
Front cover- by Guido Reni {1575-1642); page 2- by Juseppe de Ribera (1591- 1652); pages
5, 23 and 47- by Nikolai Ge (1831 - 1894); page 6, top page 17, bottom page 65- by Philippe
de Champaigne {1602- 1674); page 9- by Giovanni Stefano Danedi (1608-1690) ; page 13- by Nicolas
Poussin (1594-1665); bottom page 17- by unknown ; page 19 - by Palmo Vecchio; page27- by Heinrich
Hofmann {1824- 1911); page 31- by Benjamin West {1738- 1820); pages 35, 43 and 77 - by Carl
Heinrich Bloch ( 1834-1890); page 39 - top picture by Caravaggio ( 1591-1666), bottom picture by
Guercino {1571-1610); page 48- Vasily Polenov ( 1844- 1927);
page 51- by Simo Gomez Polo (1845- 1880); page 53- by Antonio Ciseri (1821- 1891); page
57- by William-Adolphe Bouguereau ( 1825-1905); page 62- by Battistello Caracciolo {1578-
1635); page 65 - top picture by Titian {1488- 1576); page 67 - by Mihaly Munkacsy {1844-
1900); page 71- Diego Velazquez (1599- 1660); page 73- by Guido Reni.


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